Tag Archives: Danny Devito

Hollywood Course on Wall Street–Better than any MBA!?

Working on Wall StreetMargin Call: http://youtu.be/0rqofLr9HE0

The way to make money on Wall Street- Margin Call: http://youtu.be/xOO1NY6ctYU

You are getting fired-Margin Call: http://youtu.be/2f2kGHcdJYU

Danny Devito as Ben Graham in Other People’s Money, “Show me the numbers.” http://youtu.be/yypj-aYtp9c

Danny Devito as “Larry the Liquidator” says, “I’m NOT your best friend, I am your ONLY friend” http://youtu.be/p7rvupKipmY

Boiler Room: “RECO!” http://youtu.be/4zakyg3thfY You could do a thesis on all the psychological ploys used to make this sale.  Also, http://youtu.be/izOIOvguncU  Always be closing!

Wall Street: “Because it’s wreckable.”http://youtu.be/2Mr4mjeZ2ko

Trading Places: Learning about commodities: http://youtu.be/7EjdC0pjo1A

Valuation Study in Trading Places, “Well, in Philadelphia, it is worth 50 bucks: http://youtu.be/jLo7tHDHgOc

Auction market: http://youtu.be/uZ94J09IsHA

Trading Soybeans (How would you like to do THAT all day?) http://youtu.be/XZEBz01t5vg

In those short clips you will grasp more than many beginning MBAs of how the world works.  Good luck!

Appendix: Comment: A movie like this is not a sign of a Bull Market. The movie reflects and/or caters to the Public’s disgust with Wall Street.

| SATURDAY, SEPTEMBER 8, 2012

Wall Street Meets Hollywood. Greed Ensues.

By MARTIN FRIDSON | MORE ARTICLES BY AUTHOR

A review of the new Richard Gere vehicle, Arbitrage, in which a wealthy hedge-fund manager is—surprise—the villain. Suggestion to the filmmakers: Check the dictionary before you title your next movie.

“Arbitrage—buying low and selling high—depends on a person’s ability to determine the true value of any given market,” reads the program note for the Sundance Film Festival, where writer-director Nicholas Jarecki’s movie Arbitrage was screened to rousing acclaim in January.

From the start, then, someone got the definition wrong. Whoever wrote that program note apparently believes arbitrage—simultaneously buying and selling the same asset at difference prices—is just another form of value investing (“buying low and selling high”).

Call me a purist, but if you pay good money to watch a movie called Arbitrage, you should get to see a little of it. Arbitrage depicts nobody in the act of arbitrage. Not that this would be the first time title and content diverge. At least the hedge-fund manager in Arbitrage does engage in hedging (laying off risk), unlike some real-life firms that call themselves hedge funds without actually hedging.

image

If Arbitrage were a bond, it would make investment grade, but just barely.

Richard Gere stars as Robert Miller, a successful hedge-fund manager who illegally covers up a $400 million loss, then attempts to escape the consequences by selling his company. The sale becomes more difficult when he commits another crime in the course of a bit of wife-cheating with a sexy art dealer. That leads to a second coverup and to a breach with his adoring and idealistic daughter, who is also the firm’s chief investment officer.

Compared with other films on finance worth seeing—admittedly, a short list—Arbitrage fails to give the stock market a pivotal role. Director Oliver Stone’s Wall Street, which features Michael Douglas as takeover artist Gordon Gekko, creates tension with a takeover battle. That film also shows protagonist Charlie Sheen breaking the insider-trading laws instead of just telling the audience about it.

In Boiler Room, the most engrossing action consists of penny-stock salesmen conning their victims. By contrast, Gere’s Robert Miller has already committed his financial crime by the time the action begins.

It might be objected that Arbitrage would lose the average moviegoer by dwelling on the details of securities transactions. But the excellent finance film Margin Call, which does depict margin calls, manages to convey the essential facts about complex derivatives to a general audience. By declining the challenge of portraying finance on-screen, Arbitrage becomes a film as much about its peripheral subjects—police work, the art world, and philanthropy—as the stock market.

BEYOND BEING MISNAMED, the film lacks one key ingredient of the most enduring investment-oriented movies: an instantly quotable line. Wall Street had “Greed is good.” The cult favorite Boiler Room had “You got a cannoli you can stick in your mouth?”—followed by a rejoinder that is not printable in a family magazine. The best Arbitrage can offer is this response to the observation that it’s a cold world: “You’d better get a warm coat.”

The Bottom Line

In addition to being a thriller with few thrills, Arbitrage even bungles the meaning of its title. Wait for this one to come to cable.

But hey, this is a movie: Whether or not Arbitrage holds up as a finance film, is it a decent popcorn picture that spins a suspenseful yarn? It benefits from some good acting. Richard Gere is more than adequate in the lead. Susan Sarandon, already experienced at playing Gere’s long-suffering wife (in Shall We Dance?), again fulfills that duty with finesse. Tim Roth and Nate Parker shine in supporting roles. CNBC’s Maria Bartiromo plays Maria Bartiromo in a cameo that adds luster to the proceedings.

Key plot twists are at times cleverly foreshadowed. Characters reveal unexpected depth as they confront not-so-easy moral choices. A tearful embrace that occurs at a funeral is a powerful use of dramatic irony, and the story’s resolution denies viewers any smug satisfaction that all’s well that ends well.

But these individual touches are too infrequent. If Arbitrage were a bond, it would make investment grade, but just barely.

This shortfall raises the question of why Arbitrage garnered such raves at Sundance, even spurring talk of an Oscar for Richard Gere. The critics’ huzzahs are hard to explain on purely cinematic grounds. As an exploration of family betrayal, Arbitrage is no more than workmanlike. Unlike the best thrillers, it will leave most stomachs unknotted.

THE SUNDANCE CRITICS WERE probably won over by writer-director Jarecki’s choice of a fashionable political theme, the 1% versus the 99%. And you can never go wrong in Hollywood by making the businessman the villain.

Gere’s Robert Miller stands a good chance of prevailing over the law-enforcement system, thanks to his immense wealth, unlike the working-class youth he draws into his crime, played by Nate Parker. The detective, played by Tim Roth, who pursues Miller openly complains that he is in an unfair fight if he must pursue such a privileged perpetrator without having license to fake the evidence. To compound the corruption at the top, we learn that Miller cut corners even in the supposedly lawful phase of building his fortune.

Arbitrage will be released in theatres Friday, Sept. 14. Will media critics also be seduced by the film’s populist theme, or will they judge it according to more rigorous standards of movie-making? That question is as suspenseful as anything you’re likely to see in Arbitrage.

MARTIN FRIDSON is the global credit strategist and CEO of FridsonVision.  He reviewed the film version of Atlas Shrugged last year.

Complete Video Clips Course on Trading, Value Investing and Corporate Finance

My father established our relationship when I was seven years old. He looked at me and said, “You know, I brought you in this world, and I can take you out. And it don’t make no difference to me, I’ll make another one look just like you.” –Bill Cosby

A Reader asks,”How can I learn about Wall Street and investing?”

My reply: Review and study the clips below–you will gain more than sitting in a classroom all day.

How auction markets work:http://www.youtube.com/watch?v=TSZKDkLgzhk

How investors think: http://www.youtube.com/watch?v=4zakyg3thfY

Price versus value: http://www.youtube.com/watch?v=jLo7tHDHgOc

Activist Investing and Corporate Finance: http://www.youtube.com/watch?v=p7rvupKipmY  Danny Devito:”I am not your best friend, I am your ONLY friend.”

How Wall Street REALLY works:

Sales:http://www.youtube.com/watch?v=zCf46yHIzSo&feature=related

Act as if: http://www.youtube.com/watch?v=oTFU9c9MrkE&feature=related

Making the sale:http://www.youtube.com/watch?v=TXBgEpUlPVg&feature=related

Learn how to negotiate:http://www.youtube.com/watch?v=xT5iqTgypVs

Really study the above to gain the wisdom to retire rich: http://www.youtube.com/watch?v=mmMS9nvi6eg&feature=related

or go to traditional college and begin your career here: http://www.youtube.com/watch?v=rJB0CzlzSwY or work here:http://www.youtube.com/watch?v=bYhXeirfMp8&feature=related

WHY even go to college? http://www.jamesaltucher.com/2012/03/did-obama-really-say-he-wants-everyone-to-go-to-college/

It is your choice–YOU decide!  Let me know what happens.

Lecture 6: A Dying Industry, Danny Devito and Rodney Dangerfield.

Link

This link has lecture 6:http://www.scribd.com/doc/65083826/Lecture-6-an-Investor-Speaks-of-Investing-in-a-Dying-Industry, where an investor describes his search and valuation of several video store companies in a “dying industry.” The firms are HLWY, MOVI and BBI.

But before going there, let’s remind ourselves about how we will become better investors.  Any business school or CFA program will teach you investment theory. For free MBA finances courses, books and lectures go here: http://pages.stern.nyu.edu/~adamodar/ and for specific finance subjects and much more go to: www.khanacademy.org. Who needs an MBA or CFA? (I’m kidding!)

I hope to bring as much practical application to investing to help us learn. Your diligent study of principles, case studies and actual investing will be the key to your success. Track carefully what you do and don’t do! Ten to twelve years of intensive application will put you in the experienced category. Start now. As an example of practicality vs. theoretical knowledge, who would you rather invest with: Rodney Dangerfield or the PhD. Economist in this video? Go here for three minutes: http://www.youtube.com/watch?v=YlVDGmjz7eM&NR=1

You may think that video is a satire, but I went to a Yale Business School Seminar in investing in Cuba several years ago.  Investing in Cuba? What is the crucial question?  What would your cost of capital have to be to invest in a country where contracts can be broken at any time for any reason without any recourse? Oh, and Cuba is in arrears on ALL its trade debt. Your turn.

Back to Lecture 6: Investing in a Dying Industry. Before reading this lecture, I recommend that you hear the speech by Danny Devito (yes, the round, little actor) discuss a dying  industry, The Wire & Cable Industry. Danny Devito, “Larry the Liquidator,” says, “Amen, amen, and amen… Because I just heard a prayer, and you always say “Amen” after you hear a prayer. You just heard a prayer for the dead.  This company is dead. I didn’t kill it. It was dead when I got here……………..(an excellent twelve minute video) http://www.youtube.com/watch?v=p7rvupKipmY. Even experienced investors will enjoy this clip.

You either invest in assets or franchises. In Lecture 6 the investments discussed fall into the asset category. Since asset type investments typically cannot grow profitably (the company’s new investments cannot exceed their cost of capital), therefore you need to buy assets well below the assets’ earnings power.  However, an asset in a dead industry (Berkshire Hathaway’s textile division) will have at most scrap to zero value. Buffett said he had to pay to have Berkshire’s textile machinery (looms)removed when he closed operations.

Greenwald speaks about buying cheap, obscure and forlorn: http://www.youtube.com/watch?v=YRWhEMEhVwI&feature=related

Further Greenwald discussion on investing: http://www.youtube.com/watch?v=xOn4VUrVZdw&feature=related

Successful investors have the ability to understand the strategic strengths and weaknesses of the businesses they analyze. These investors understand the barriers to entry or lack thereof of the industries they study.  As a preview, two books: Competition Demystified, A Radically Simplified Approach to Business Strategy by Bruce C. Greenwald and The Curse of the Mogul, What is Wrong with the World’s Leading Media Companies by Bruce C. Greenwald and Jonathan A. Knee are recommended, especially Competition Demystified—an underrated book.

After reading Lecture 6, you would enjoy this article: Why Content Isn’t King: How Netflix became America’s biggest video service—much to the astonishment of media executives and investors

By Jonathan A. Knee at http://www.theatlantic.com/magazine/archive/2011/07/why-content-isn-8217-t-king/8551/

In 2011, five years after Lecture 6 was given, we know the history and future of the Video Industry. But there are lessons in how to approach industry analysis from a disciplined perspective with strategic logic.  I am getting ahead of my readers here (anybody out there?), but we will come back to strategic analysis many times.